Shrines of the Moon is a deflationary art collection by three printmakers and a generative artist working out of Glasgow, Lisbon and Kyoto. Each piece is rendered at 4096×4096, backed by a physical 50×50cm screen-print shipped to holders, and minted on Base with a 2.5% creator royalty split equally between all four artists. No roadmap promises. Just art.
582 / 2,048 minted · 1,466 remaining
Each of the 2,048 moons was rendered by hand on paper before being scanned, color-separated into seven layers, and composited into final 4096px PNGs. We kept traits honest: rarity emerges from the drawing, not a random trait-slot machine.
Most project roadmaps promise a metaverse, a video game, and a Lamborghini raffle. We promise prints, exhibitions, and a second drop. If we miss a date, we'll say so on the day it happens.
ERC-721A contract audited by Spearbit. 2.5% creator royalty enforced on-chain. Verified on Basescan. Metadata frozen on Arweave permanently, not IPFS.
Holders receive a 50×50cm archival screen-print of their moon, hand-pulled at our Glasgow studio by Kirsty Mhor and couriered worldwide. Allow 6 weeks.
First physical exhibition of all 2,048 prints at Transmission Gallery, 28 King St, Glasgow. Runs Aug 14 – Sep 26 2026. Holders on allowlist for private view with the artists.
A 240-page hardback monograph printed by Book Works London, essay by critic Kitty Empire. Free to holders. ISBN registered. 2,048-copy limited run, never reprinted.
A sibling collection of 2,048 solar-themed plates, holder-priority allowlist. Will be announced on-chain, only after Drop 01 ships to the last address. No speculation, no promises.
Printmaker, RCA '08. 14-year practice. Collection held at the V&A and MoMA library. Designs the plates.
Self-taught, ex-Lisbon.codes. Builds the rendering pipeline in C + Cairo. Responsible for the 4096px composites.
Fifth-generation sumi artist from Fushimi. Shows at Kyoto City KYOCERA Museum. Rendered the full series and gold-leaf moons.
Runs Dennistoun Prints. Pulls every physical edition by hand, 4 colors, 180gsm Somerset. Managed shipping for Drop 01 herself.
Phase 01 opens to 1,428 allowlist wallets on April 18 2026 at 14:00 UTC. Public mint opens 24 hours later if supply remains. Mint costs 0.048 Ξ (~$148 at time of writing) plus ~$0.14 in Base gas. One contract, four signatures, a print couriered to your door.
Contract · 0x7a2b…e481 · verified on Basescan · metadata frozen on Arweave
Gas on Base is roughly $0.14 per mint instead of $30–$80 on Ethereum mainnet. We wanted anyone with $150 for the art to be able to mint, not anyone with $150 plus $80 in gas. Base is an Ethereum L2 by Coinbase, secured by Ethereum, fully EVM-compatible.
Yes. Every minted moon ships with a 50×50cm archival screen-print on Somerset Velvet 300gsm paper, signed by two of the four artists, in a protective tube. Shipped worldwide from Glasgow within 6 weeks of mint via DHL Express with tracking.
2.5% on secondary sales, hard-coded into the ERC-721A contract. Split equally four ways between Rhona, Tomás, Akiko and Kirsty. No publisher fee, no hidden wallet. Payouts are claimable from the contract every full moon.
Yes. Images and JSON metadata are stored on Arweave, not IPFS — paid once at mint, stored forever. We never keep private keys to the metadata contract; it's frozen. Your moon will render in 100 years.
1,428 spots are already allocated: 840 to past collectors of any of the four artists' work, 288 to the Shrines discord at launch, 300 to print buyers from Kirsty Mhor's Dennistoun Prints archive. No new spots. Public mint opens Apr 19 2026 if supply remains.
The moon is linked to the wallet address, not to you. If you lose your keys, we cannot help you recover the NFT — nobody can. We recommend a hardware wallet (Ledger, Trezor) and a written backup of your seed phrase, kept in two separate physical locations.